![]() |
|
|||||||
| Register | FAQ | Members List | Calendar | Search | Today's Posts | Mark Forums Read |
![]() |
|
|
Thread Tools | Display Modes |
|
#16
|
|||
|
|||
|
Quote:
.Best, Chris |
|
#17
|
|||
|
|||
|
Thanks Chris
Dan |
|
#18
|
|||
|
|||
|
Quote:
I think you and Peter hit the nail on the head. When all that many guys have is their "art" box and experience in that box and not much else to show- then they judge others by their "art box." Its the only way they know how to think and function. They cannot explain their every effort being taken apart any other way. It just doesn't fit in their "art" box. Further still, if it is done so with fluid relaxed power. In the discussions of internal skills when they have nothing to add they resort to this kind of nonsense. Cheers Dan Last edited by Dan Harden : 10-06-2006 at 04:31 PM. |
|
#19
|
|||
|
|||
|
I am not one to get into dissecting all the assumptions that are flying around here, on both sides.
I would just say that 1) Jim's post was certainly calling Dan out. Ok. So what? Which leads to point number 2) Any of us that post on the internet in any kind of authoritative way on a particular subject should not get too upset by being called out. Isn't that one of the purposes of a public forum like E-budo? To stand behind your point of view? Asking for credentials is not so crazy. Seems like we do it a lot on the forums. Jim asked. Dan clarified (to a point). Unless they want to continue this on their own privately, I think this thread is used up. Arman Partamian |
|
#20
|
||||
|
||||
|
Guys, I actually am out of town right now. Sorry George, I thought about letting you guys know, but it is typically well behaved here.
I have to make this short, because I have to get going and typing on this Japanese computer is killing me. Having read the whole thread, it appears to me that there have been valid points made in regards to this `call out` (where is the quotes button on this thing?). All things considered, it seems that this thread has served a purpose. On the other hand, I don`t think anything else useful can come of it, so I`ll lock it after this. A couple of points I would make: 1) Does Mr. Goldberg know you intended on posting his comments about someone else on the internet? My guess is no, which makes it pretty rude. On the other hand, I learned a long time ago that what you say in open seminars to people you don`t know can go anywhere, and when someone asks you what you think of someone (or something similar), it is either because they are a student of theirs or they have some other reason why they are asking, and as such the response always seems to get back to them. So I figure that`s kind of what you get for answering such questions to non-students (I usually just say `I don`t know`) (I`ll write more later - gotta go///)
__________________
Nathan Scott Nichigetsukai "There are people who make a profession out of selling the arts. They treat themselves as articles of merchandise and produce objects with a view to selling them ... Someone who might want to learn such a way with the goal of making money should keep in mind the saying, Strategy inadequately learned is the cause of serious wounds." - Miyamoto Musashi, 1645 (Gorin no Sho) Last edited by Nathan Scott : 10-09-2006 at 12:01 AM. |
|
#21
|
||||
|
||||
|
Anyway,
2) The point I was trying to make in the posting guidelines is that, if you are going to post opinions, be prepared to back up your opinions with experience and/or ranking (which gives an indication as to the level of initiation a person is supposed to have). On the other hand, no one is forced to disclose such facts if they would rather not say publicly, and there are valid reasons why someone might not wish to publisize their membership in a particular art. However, if you DON`T choose to be forthcoming about your experience and background, don`t be surprised if others start ignoring your posts or even treating you like a troll. I put up that guidline as a headsup to those who just like to blabber to see their name on the internet, or to play devil`s advocate on every subject that comes up. But I don`t believe we have a right to demand credentials from someone unless we are thinking of joining their dojo. ## I do appreciate that the posters that followed the opening post attempted to keep the peace right off the bat. There are definitely better ways to handle something like credential debates, and if it wasn`t for the quality of the follow up replies, I would have just deleted the thread. BTW, I`ll be back from Japan on the 13th, and won`t be using these crazy computers after this post, so ya`ll behave! Regards,
__________________
Nathan Scott Nichigetsukai "There are people who make a profession out of selling the arts. They treat themselves as articles of merchandise and produce objects with a view to selling them ... Someone who might want to learn such a way with the goal of making money should keep in mind the saying, Strategy inadequately learned is the cause of serious wounds." - Miyamoto Musashi, 1645 (Gorin no Sho) |
|
#22
|
||||
|
||||
|
Hi all,
Mr. Sorrentino, PM'd me and asked that I post his response to the question I raised in my first post. Since I did raise the question, I'll post this last follow-up to this locked thread: Quote:
__________________
Nathan Scott Nichigetsukai "There are people who make a profession out of selling the arts. They treat themselves as articles of merchandise and produce objects with a view to selling them ... Someone who might want to learn such a way with the goal of making money should keep in mind the saying, Strategy inadequately learned is the cause of serious wounds." - Miyamoto Musashi, 1645 (Gorin no Sho) |
|
#23
|
|||
|
|||
|
Work sent me to Boston for a few days. Before I left for Boston, I contacted Dan Harden and asked if he'd meet me. I said I'd like to start learning the internal stuff. Once in Boston, I met Dan at my hotel after work one day and we walked over to the Commons.
I ended up learning a lot of things. One is that Dan is a great guy. Working out with him for the short time I had was a pleasure. I went back and forth from, "Okay how did you do that" to laughing. Most of the time I forgot I was even standing in the Boston Commons. Two is that I just couldn't push him over. And let me tell -- that was a very disconcerting feeling. I tried pushing with both hands on his chest, tried pulling him sideways using one of his arms, and then placing a hand on the side of his head and pushing. He just stood there relaxed. I don't know how to explain some of what I felt there. Part of it was just like pushing and nothing was budging. Almost like putting your hand on a wall, leaning into it, pushing, and it's just there not moving, but not nearly as hard or unyielding as a wall's surface. And parts of it I could feel that I'd lost my own balance as I started to push. In those instances, I was pushing and Dan was moving his center in such a way that he knew where I was losing my balance or what foot held most of my weight. It was an eye opening display of some of what he can do. I say some because I also got to feel a small portion of the power he can generate. Another example of this relaxed power was that he held out both hands and asked me to throw him in a judo type throw. I grabbed both arms and that was as far as I got. There were no openings. I never got to the tsukuri, or fit, because I couldn't even get kuzushi. In fact, there was a kuzushi but it was on me. If you've ever seen some of these sayings, "keep weight underside", "extend ki", "keep one point", well, I got to experience them first hand. Dan also showed me the "push out exercise" where I had hold of him but couldn't step forward. Although I didn't feel like I was overly weighted down, I still couldn't take a step. My feet just felt rooted to the ground. The no-inch punch was amazing. And yes, there was no distance but the force was definitely there. I wouldn't say it felt exactly like a punch, which is more of a percussive feel. No, this was more like a ball of energy/power hitting me and shockwaves vibrating out from where it entered my body. Next thing I know, I'm picking myself up off the ground a few feet away. All the while, Dan is explaining how all of it is done. He was open and willing to share information on what he was doing and how it was done. He showed me some exercises to do and I tried some of them. Try is a good word. It'll take some time doing them, especially the hanmi. LOL. But in the short time I was there, I will say that they definitely helped. The stuff Dan is doing is good stuff. I wish I'd been able to visit his dojo and meet everyone else, but I'm hoping that my next visit, I'll be able to do that. Last edited by Nathan Scott : 10-24-2006 at 04:23 PM. Reason: Modify title to reflect thread merging |
|
#24
|
|||
|
|||
|
Thanks for the review Mark! It was also nice seeing you again this weekend.
Best, Ron |
|
#25
|
|||
|
|||
|
Quote:
I'd be a very poor example of anything. It's all new to me. But the offer is appreciated. I hope that you get a chance to meet Dan because he can show and explain things way better than I ever could. Thanks, Mark |
|
#26
|
|||
|
|||
|
Dan,
I finally got around to reading the thread on AikiWeb, what a waste of time that was. I really respect the way you handled yourself. I look forward to finally meeting & training with you when your schedule clears up. Tim
__________________
Tim Mailloux |
|
#27
|
|||
|
|||
|
Tim
I try not to pay attention too closely when people start lashing out. It just means they ran out of anything substantive to say. But, thanks for noticing. The net is a wierd place VS face to face or hand to hand. It's like the fellow you wrote me about and what he thinks meeting and knowing me and then.....this ...uhm...stuff you read on the net....oyh! The funny thing is what often happens when you do meet those who didn't even like you on the net. Cheers Dan |
|
#28
|
||||
|
||||
|
I've ended up merging a new thread about Dan Harden with the existing seminar thread which was apparently an excuse to call out Dan on his experience and credentials. I though that locking this thread after it ran its course would be the end of it, but apparently a personal dispute on Aiki Web is being taken here for some reason.
Whether the questions are reasonable or not, an answer has already been provided publicly. It's time to move on, or take the discussion to PM/Emails (or back to Aiki Web). The rest of us don't need it here. Each posting should be evaluated based on what you know of the contributor. If you have issues with a contributor, or you feel they aren't being forthcoming about their ranks or formal training, then just don't read their posts anymore. But unless someone has something factual, relevant, and/or non-inflamatory to add, this subject and thread is done. XXOO,
__________________
Nathan Scott Nichigetsukai "There are people who make a profession out of selling the arts. They treat themselves as articles of merchandise and produce objects with a view to selling them ... Someone who might want to learn such a way with the goal of making money should keep in mind the saying, Strategy inadequately learned is the cause of serious wounds." - Miyamoto Musashi, 1645 (Gorin no Sho) |
|
#29
|
|||
|
|||
|
Greetings All,
Unfortunately, I unwittingly brought Dan's reputation into question. I regret that, and I apologize to Dan for doing so. You may read the full text at AikiWeb, at http://www.aikiweb.com/forums/showthread.php?t=17397 Sincerely, Jim Sorrentino |
|
#30
|
||||
|
||||
|
Since Jim revived this thread and posted a link to a post at aikiweb, I posted a reply to this subject to the thread at Aikiweb.
Following is the content of my post: Quote:
__________________
Nathan Scott Nichigetsukai "There are people who make a profession out of selling the arts. They treat themselves as articles of merchandise and produce objects with a view to selling them ... Someone who might want to learn such a way with the goal of making money should keep in mind the saying, Strategy inadequately learned is the cause of serious wounds." - Miyamoto Musashi, 1645 (Gorin no Sho) |
![]() |
| Thread Tools | |
| Display Modes | |
|
|